BIRMINGHAM, Alabama – Given the choice of a single instrument and a single 19th century composer on a Sunday afternoon, an all-Chopin recital would be hard to resist. That’s what Marietta, Ga.-based pianist Robert Henry offered to close the 2013-14 UAB Piano Series at the Alys Stephens Center‘s Reynolds-Kirschbaum Recital Hall.
Aside from bookending his program with a movement from Schumann’s “Carnaval,” Op. 9 (appropriately, the “Chopin” movement), and encores of a Schubert Impromptu and an arrangement of a lovely Chet Atkins tune, this was a singular Chopin experience. Henry played unpretentiously, preferring to let Chopin do all the talking, and his well-rounded menu of etudes, nocturnes, ballades, the “Heroic” Polonaise and the Barcarolle, was by turns joyful, dreamy and uplifting.
Henry, whose engagements have ranged from solo recitals at Carnegie Hall, the Kennedy Center and Wigmore Hall to collaborations with the Atlanta Symphony and the Pacifica Quartet, set the pace early. The Schumann “Chopin” movement and three etudes that followed are all in the key of A flat, and he played them without pause. The seamless segues brought cohesiveness to the varying moods, as though they were composed as a single piece.
Two nocturnes, the D flat, Op. 27, No. 2, and B major, Op. 62, No. 1, revealed Henry’s softer and more lyrical side, while foreshadowing the well-proportioned, multi-voiced layering that would come to full fruition in the Barcarolle, Op. 60.
Though composed in the ungainly key of F sharp major, the Barcarolle is one of Chopin’s most exquisite creations. Henry’s focus on its shapely arc, progressing from the rocking, undulating opening minutes through carefully calculated up-and-down dynamic shifts and a inspired crescendo, was the concert’s highlight.
The four ballades followed, each combining poetry and power. Henry, a meticulous technician, has a knack for bringing out exactly what Chopin wanted listeners to hear. Each emerging voice was given the right amount of emphasis on both macro and micro levels. The gentle repose of the Ballade in F major was startlingly interrupted by its middle section, the pianist’s strength and agility more in the spotlight in the Ballades in G minor and A flat Major.
The Polonaise in A flat major, always a crowd pleaser, brought the program to a rousing close, though two encores followed. Schubert’s Impromptu in E flat, Op 90, No. 2, was a good choice for the first, with its suggestion of a Chopin etude. The second, Chet Atkins’ “Waltz for the Lonely,” was wistful and melancholy, Henry’s arrangement mixing a bit of Broadway with jazzy harmonies and perhaps a touch of Chopin.
That’s right. I’m now set up for the new video teaching/chat service from Google called HELPOUTS. Whether you have a quick question, would like an occasional coaching, or are interested in traditional, weekly piano lessons, I‘m here to help. Spread the word!
Google Helpouts has experts available on every subject/skill you can think of. It’s pretty cool. You can pay by the minute or in 15 minute increments.
(If you’re an expert on something, you could probably teach on there, too.)
All you need is a piano and a webcam. Check it out.
ABOUT MY STUDIO
Topics can include anything piano-related, such as technique (scales, arpeggios, double-notes, chords, etudes), repertoire/interpretation, theory, history, memorization, performance skills/anxiety, competition/audition/performance preparation, practicing skills, concerti, chamber music, accompaniment, etc. I particularly enjoy helping pianists alleviate tension in their playing and avoid injury.
Are you a teacher yourself, and have a question about teaching a particular piece or technique? I can help with that, too.
The stream will begin just before 8:00 pm, EST on October 28, 2013.
An All-Chopin Recital
“Chopin” from Carnaval, Op. 9 (composed by Robert Schumann)
Etude in A-flat Major, from Trois Nouvelles études
Etude in A-flat Major, Op. 25, No. 1 “Aeolian Harp”
Etude in A-flat Major, Op. 10, No. 10
Nocturne in D-flat Major, Op. 27, No. 2
Nocturne in B Major, Op. 62, No. 1
Barcarolle Op. 60
THE FOUR BALLADES
Ballade No. 1 in G minor, Op. 23
Ballade No. 2 in F Major, Op. 38
Ballade No. 3 in A-flat Major, Op. 47
Ballade No. 4 in F minor, Op. 52
Polonaise in A-flat Major, Op. 53 “Heroic”
I’ve been teaching in Atlanta for over 10 years, both privately at my home in Marietta, GA (East Cobb area), and at Kennesaw State University.
All ages and all levels are welcome in my private studio or via Skype lessons. Schedule a complimentary lesson today.
(For the University, please see the following requirements: Audition Requirements)
Friends, I’m pleased to announce my newest recording — in fact, another world premiere recording!
A new piece by Brahms was recently discovered, entitled “Albumblatt.” Lost in time, this work was tucked away in a hotel guestbook by Brahms himself in 1853. Conductor and musicologist Christopher Hogwood is credited with its discovery in late 2011.
In the past year, it has been performed live here and there, but I offer you the FIRST and ONLY commercially available recording of this short work. I recorded it on my personal Steinway D in Morgan Hall at Kennesaw University. It’s a single; only $.99 on iTunes.
I’m currently finalizing an entire album of Schubert and Brahms to be released later this year, but I thought I would go ahead and release this single.
Please enjoy! And purchase! And leave me a great review!
Yes, even pianists can get in on the action. For this week only (November 26-Dec. 2), I will offer Skype lessons at half-price. ($80 per hour is my normal rate. Half-price is $40 per hour.)
Lessons would be purchased now and will be scheduled for a later date. Send me an email if you want to purchase one or more lessons.
All you need is Skype installed on your computer/smartphone/device and a webcam. And a piano.
You can take a lesson from anywhere in the world via Skype. So simple.
Lucas was born Wednesday, September 26 at 7:35 pm. He weighed 7 lbs, 1 oz. He is in perfect health.
Meryl went into labor early Wednesday morning. She was in labor for almost 20 hours. Enjoy some pictures from the pregnancy and delivery!
Come and hear J.S. Bach’s Complete Well-Tempered Clavier, Book I. This is one of the most perfect masterpieces in classical music.
Written in 1722, the WTC, Book I is a collection of 24 Preludes and Fugues in all keys. Two-and-a-half hours of music. Impossibly perfect in its construction. But more importantly, this music is profoundly expressive — a truly spiritual experience.
Dr. Bobbie Bailey and Family Performance Center
Kennesaw State University
Admission is FREE.
Wednesday, September 19th
If you would like to bring this program to you and your city, contact me.
I’m pleased to announce the release of my transcription of Chet Atkins’ “Waltz for the Lonely.”
The retail price of the sheet music is $11.95.
US Customers can send me a flat $17 via Paypal (which includes shipping), and I will mail it to you directly. International customers, I’ll sell to you on a case by case basis as shipping will vary. To guard against spam, use the contact page to initiate the sale.
I worked very hard on this debut release. It’s neatly written, legible, with all relevant fingerings, a couple of extra pages for notes, a little historical info about me and Chet, even some photography. Son, you will not be disappoint.
The cover design for this sheet music release (and my CD) was designed by Dan Almasy.
This was Robert Henry’s first Wigmore Hall recital and it seems to have come on the back of his debut CD recording ‘Twelve Nocturnes and a Waltz’. Mr Henry has won various international piano competitions so I was interested to see how he would fare in this mixed programme of 18th, 19th and 20th century masterpieces.
He began well with Siloti’s famous transcription of Bach’s prelude in E minor (transposed by Siloti to B minor). The transcription allows the pianist to demonstrate the full tonal and expressive range of the piano and Henry used it to show he could produce a gorgeous tone, and his immense control of voicing, texture and dynamics.
Henry’s performance of the first 12 preludes and fugues from Book 1 of the ‘48’ was very romantic, using the full tonal and expressive… SEEN AND HEARD INTERNATIONAL