“In Beethoven’s complete Sonatas for Cello and Piano, Robert Henry proved himself a colorist. He forged an equitable collaboration with Charae Krueger, a cellist with a strong personality and a big sound. They clicked, with the intimate air of two friends making music together … and with a few hundred people eavesdropping. The concert had a just-right vibe. Krueger and Henry also drew the largest crowd in the history of this chamber music series.” — Critic PIERRE RUHE, at artcriticatl.com